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We've gone for a bit of a change with our after meeting gatherings. We have put behind the peanuts of Logan's and headed over to Scully's where we have been embraced with free appetizers. It's a quiet place and although a little bit difficult to find. Please check out the directions. Hope to see you there... Directions: Due to Construction on WhiteBridge, Take I-40W past the Whitebridge Rd. to the Charlotte Ave. Exit. Turn left onto on Charlotte and Scully's is about a mile down on the left of the neon bowling alley, Strike and Spare Or you can Take I-40W to the Whitebridge Rd./Charlotte Ave. Exit Turn left onto Whitebridge and follow to the next light, that is Charlotte. Take a right on Charlotte and Scully's is about 3 miles down on the right behind the neon bowling alley, Strike and Spare Scullys |
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Introduction to Screenwriting Class
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a great idea for a movie but don't know where to start? Are you new to
the game and feeling a little overwhelmed at the TSA meetings? Get the
movie out of your head and onto the page by signing up for the class,
"Intro To Screenwriting," being held this semester at Watkins
College. This class if geared toward working adults who have found it
difficult in the past to learn a new craft without applying for college
courses during day-time hours. Students will learn the basic elements
of screenwriting, and apply this knowledge by creating fresh and compelling outlines and first drafts of their screenplays. Class information is below: Intro
To Screenwriting Two
ways to register: |
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a quick word to let you know the TSA's own Alan McKenna is teaching two
"Intro To Screenwriting" classes again this Fall. If you know
of anyone who may be interested, I'd appreciate you passing on my information:
One class runs for 9 weeks on Friday nights from 7:00 - 9:00 p.m.; starting on 9/19/03. The second class runs for 8 weeks on Saturday mornings from 9:30 - Noon; starting 9/27/03. Both classes are $170. As
with the Winter semester, if students want to change the day/hours (see
"Friday night") and they collectively agree, then I will most
certainly accommodate. If they would like to register, please have them
contact Victoria Boone or Jennifer Dick at 383-4848 or they can visit
the website, www.watkins.edu. |
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| The
Business of Screenwriting! |
| One
of the most valuable things a screenwriter can have is a good quality
conversation with a producer. One that has an eye and mind to find what
it takes to make a script make its way to the screen. On May 28th and
29th, the TSA welcomed such a producer, Catalaine Knell. She, along
with Screenwriter Robert Franke were our guests for a sobering discussion
on the business end of Screenwriting. Quite often, as we focus on the
art and craft of screenwriting, we overlook the business end, but after
this session, that is certainly not going to happen. |
| Here is a brief biography for Catalaine Knell |
| As
one of Hollywood's secret weapons in the discovery of fledgling talent,
Knell has made a point of giving untested artists their first break.
She acquired Quentin Tarantino's screenplay "True Romance,"
and then hired Quentin for his first studio rewrite, the feature "Past
Midnight" with Rutger Hauer and Natasha Richardson. In addition
to giving first gigs to Tarantino and cohort Roger Avary ("Killing Zoe"), she has worked with such recent inductees into the 6-figure club as David Diamond & David Weissman (My Three Sons, Family Man), Kirstin Smith (Legally Blond, 10 Things I Hate about You) Charlie Mitchell (Sommersby, The Smuggler Project) Roger Soffer (Kazaam) and Mark Mullin (The Extremist) as well as indie-edged filmmakers like Mark Rocco, Simon Barry and Kurt Voss. After graduating from Webster College in St. Louis, Knell became an agent in her native Los Angeles, where she represented such talents as Allison La Placa, Gary Cole. John Cusak and Kevin Jarre, before going on to build a career in the development and production of feature films. Knell worked four years heading up director Tony Scott's production company. During that time, she helped produce "Top Gun," "Beverly Hills Cop II" and "Revenge." As Vice President of well known indie production house CineTel Films, Catalaine Knell served as a production executive on over 27 films, including three for New Line Cinema. She's also garnered a formidable reputation for discovering new talent--and putting it to work. In addition, Knell has served as co-producer on indie hits "Where The Day Takes You," "Past Midnight," "Teresa's Tattoo," "We're Talking Serious Money," "Too Much Sun," "Poison Ivy," "Carried Away" and "Below Utopia." As both a corporate executive and creative producer, Knell, has developed extensive, well-established relationships within the independent and studio communities. Experienced in independent and studio production, her projects range from the tiny to mega budget. Her current roster includes a TV pilot, "Mrs. President," for Fox Network; cable movie "Major Taylor" for Showtime, and feature projects "Bloodlines" with director Philip Noyce and "Potsdamer Platz" with Tony Scott. Currently, she is in pre-production on the film adaption for Jay McInerney's novel "Story of My Life" to be directed by Simon Barry . ![]() |
The Renegade Independent Film Festival was a Success. It will be repeated in Franklin. Go to the Renegade Website for more information. Click Here to access the Renegade website. |
I’ve been putting a lot of thought toward one of my responsibilities as a TSA member. Unlike the above psychiatrist, we must be active listeners and won’t be paid for it. When a member presents their script, synopsis or story idea, the only valuable feedback will help them avoid potential stumbling blocks. And so, don’t get caught up in the entertainment of the story. Focus on the structure and clarity. From there, considered feedback can be offered. But what is appropriate feedback? While it is important that we support each other and look for the good in the story, an undeserved glowing commentary is pretty useless. In fact, they probably already get that sort of review from their non-screenwriting circles. Their co-worker named Stanley, Aunt Tessie and the lady who was pumping gas next to them have already showered them with unfettered praise. On the other hand, “That’s a piece of garbage” offers nothing to help a writer identify problems. Commentary should voice the reason one feels the read was a piece of garbage, without the insult. Finally, another questionable commentary technique is ‘overwriting’. For those unfamiliar with the term, Overwriting is when someone offers up story solutions. “I’d have the protag do this” or “Add a character that does that” would be considered overwriting and you’ll suffer through an embarrassing array of ‘raspberries’. When formulating your commentary, listen closely to the reading. And address the issues that will help the writer. Avoid grandstanding. You get no credit for tricking or cleverly insulting the reader. |
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| On January 15, 2003 at the regular meeting, the 2003 Board of Directors was elected. And the winners are:
It's great to see people that are willing to step up, give something back and generally make the TSA continue to strive for excellence. We all thank the new board as well as their predecessors. |
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After many years as a welcome guest of Watkins College of Art & Design, the TSA offered much deserved thanks by presenting the school with a $500 check. Watkins has been in 3 different locations over the past several years, and the TSA has been embraced and welcomed at each one. Watkins is still aware of the great service the TSA offers the community. The check was presented with much fanfare (well, as much as a bunch of screenwriters can generate). In another gesture of kindness, Watkins has acknowledged the gift by engraving a seat plate in the schools theater in the name of the TSA. Attending the ceremony were (front row left to right) Steve Womack, Dr Jim Brooks and Cathy Snyder representing Watkins, Diane Burton, Dennis Burton, Mark Naccarato (back row) Bob Giordano, Jeff Chase and Pete Kremer all from the TSA Board of Directors. Click on the image for a larger picture. If you'd like to learn more about Watkins College of Art & Design, you can check out their web site by clicking here. |
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| After
I was officially elected President, a strange hush fell on the room.
Unfortunately, that eerie silence was broken by desperate and ungodly
calls for a recount. With that speed bump behind us, I tackle one of
my first duties as Prez, The "President's letter" - The
INTERNET VERSION...
For me it's not done for 50 more weeks. In the meantime, I pledge to work for the betterment of the organization to the best of my abilities. Keep writing. Thanks
for having me, |
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ATTENTION
ALL SCREENWRITERS! According
to Robert, the entire seminar is devoted to "classical narrative
structure" -- the ONLY way American movies have been written since
1920. The same system taught in all prominent film schools from U.S.C.,
Columbia, AFI, UCLA and NYU. 99.5% of all American films ever made have
adhered to this standard (those that did not were either atrociously
created or are "foreign-influenced" ala Jim Jarmusch). The
seminar will specifically give attendees the tools to (a) understand
the base structure of all American films since 1920 and (b) allow you
to analyze swiftly any American film within minutes, finding it's strengths
and weaknesses immediately. A professor once said: "Once you know
this system, you will barely be able to enjoy films again, because they
will all feel so predictable." He was right. No recording devices
of any kind will be allowed in the seminar. The information Robert is
passing on is not unique or his own. BUT, the DELIVERY of the information
in a concise and easily digested method is his invention. The event is scheduled for Saturday January 11, 2003 with a 10 AM start time. The event will go on through 6 PM with an hour luch break at 1 o'clock. The seminar will take place at Nashville's own Northstar Studios located at 3201 Dickerson Pike. You can check back to the website for all updates. There will be limited seating for this event and registration is very important. You can register by emailing us here. The event cost for TSA members is $20. We'll see you there in what promises to be a valuable learning experience. Call
us to register at
(615) 316-9448 |
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TOP
THREE FINALISTS FOR 2002 SCRIPT COMPITITION! 1st
Place Award of $1,000; "Mob Rules" written by Alan McKenna,
Thompson Station, TN 2nd
Place Award of $500; "Singles Anonymous" written by Robert
Brown, Micanopy, FL
9) "Gideon's Revenge" written by David Poulshock, Portland,
OR
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| Greetings! The rituals we develop are different for everyone. Some have a favorite pen, some must play certain kinds of music, and some can simply sit down at their desk and start. The most important thing is that when we have finished, we seek out others to read or listen to our efforts, especially when we trust them to give us honest feedback. That, in a nutshell, is the reason why someone should join the TSA. Like the proverbial tree that falls in the forest... do our writings make a sound if we never allow them to be read aloud? September 18th marked another chapter in the history of the TSA. (How many of you knew the TSA has been meeting for 15 years now?) That's when we regrouped and held our first meeting at the new location of Watkins, in Metro Center. They've done a great job transforming the old AMC Theater complex into a workable learning environment. We wish them good fortune as they expand the school over the next few years. Future plans include "on campus" student dorms. Now, if you think Watkins is too far to go for the support and knowledge the TSA imparts, please think again. It's a short drive from downtown, less than five minutes from West End. The parking is ample, free and well lighted with a security guard on premise. The room we use is quiet and bigger than the one we had when Watkins was over near 100 Oaks Mall. Now, for a more personal appeal. Please help the TSA, and help yourself, too. Check those dates under your name on your newsletter mailing label. If it says "REN" that means your membership already expired on the date listed there. If you value the benefits of a group like the TSA provides... show it now. Renew your membership. Save us printing and postage costs by taking the initiative and sending your check in for dues. It's still just $25 for a whole year of newsletters, discount movie tickets, HCD on-line, and more! Remember
when I issued a call for volunteers to sit on next year's board? I'm
pleased to say several good people have stepped forward. Danny Wright,
an Atlanta transplant who has already made an impression, and Paandrea
Paisley, who's such a pleasure to be around, have both expressed a desire
to serve the TSA.
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Attention!!! 1st place......................................Alan McKenna, "Mob Rules" 2nd place.......................Robert Brown, "Singles Anonymous" 3rd
place.........Christopher Rodan, "Bytor and the Snow Dog" |
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Greetings! NEW PLACE AND NEW TIME!!! AND NO TSA MEETING ON JULY 3rd! The
TSA HAS A NEW LOCATION FOR THE SUMMER; MERE BULLES, in Brentwood, has
offered us a meeting room while Watkins gets things ready for their
new Metro Center campus this summer. Also, meetings will now start at
7 PM instead of 7:30. We have members who drive in from Spring Hill
and Clarksville for meetings, so if we start a little earlier, they'll
all get home a little earlier. Thanks to Nancy MacPherson, for taking
time to help us find a temporary meeting location for the next couple
of months! Call the TSA info line at 615-316-9448 if you have any questions,
or go to www.tennscreen.com and double check the meeting calendar and
map. The R.I.F.F. (Renegade Independent Film Fest) was a huge SUCCESS!!! Great job to our TSA member MARK NACCARATO who was inspired (or crazy) enough to launch this mini-film fest. The TSA was well represented not only with Mark's fantastical "The Crusader", but short films from DAVID VAN HOOSER, ZAC ADAMS, and our one and only BOB GIORDANO! I am so inspired. We can learn from you guys. It is amazing how much talent we have in the T.S.A. Totally amazing! We are looking forward to next year's 2nd Annual R.I.F.F. (Maybe my short will be done by then.?) The
2002 TSA Screenplay Competition is on the verge of posting its top ten
finalists. Check the website over July 4th weekend to get a first peek.
The top three scripts will share cash awards of $1,000, $500 and $250
respectively, plus an opportunity to post material on www.WritersScriptNetwork.com.
This website is one new way for "Middle America" types to
get material in front of the several thousand duly registered Hollywood
execs each month. The top three screenplays will be announced mid-July
amid tremendous fanfare and over-the-top publicity. We're seeing some
faces from the past reappear! Glad you're back. We've missed you. AND
there are some new faces, too! Hope to see you all again. I know you'll
learn something every time you come to our meetings. I still do! Dawn,
good to see you at R.I.F.F. (she donated a computer to the T.S.A.) And
speaking of donations; Got an old computer gathering dust because you
bought a new one? Donate it to the T.S.A. and get an IRS recognized
deduction. We still know of members without computers. Just call the
info line and leave a message and we'll get back to make arrangements
for pickup. A
Happy and Safe 4th of July to all! Keep Writing, |
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TSA meetings had a new home and time....
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Renegade Independent Film Festival
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